A comedy series that explores what normal life would be like if everyone spoke honestly.

When an incorruptible government pay clerk, who isn't taken seriously by anyone including his family, get robbed while carrying huge amount of work money, he becomes popular because people believe he faked the robbery and kept the money.

German sex comedy

Amanda Redman is to star in a new six-part series for ITV1 about a mother trying to keep her family on the straight and narrow. Called Honest, the comedy drama will see Redman play Lindsay Carter, a woman whose husband has spent four years in prison for robbery. On top of this, she has a bunch of wayward children, including a daughter obsessed with becoming the new Naomi Campbell and another who is blackmailing her deputy headmistress so she can bunk off school. The series follows Redman's character as she attempts to keep her family in order.

Lindsay Carter is a woman whose husband has spent four years in prison for robbery, and has to keep her family in order. Her wayward children include a daughter obsessed with becoming the new Naomi Campbell and another who is blackmailing her deputy headmistress so she can bunk off school.

In 1960s London, sisters Gerry, Mandy and Jo don male disguises and rob jewelry stores. Gerry also takes a job at a hip magazine in order to scope out a potential target. Sparks fly, however, between Gerry and American journalist Daniel Wheaton, and their budding romance threatens to expose the sisters' latest operation.

The film is an edgy black comedy set in swinging London in the late 60s. The All Saints girls play three street wise sisters who head 'up West' to rob and generally cause trouble.

Johnny Arthur has been ordered to spend a year out west to toughen him up, so he and butler George Davis head out. The cowboys at the ranch don't like him, so Johnny and they play practical jokes on each other. However, when Virginia Vance is kidnapped, it turns out to be real desperadoes.

Former pro cyclist Kim Karlsen (39) holds a press conference admitting use of performance enhancing drugs in her career. Rather than accepting the consequences of her actions, our antiheroine sticks to her guns and refuses to alter her mindset.

When she is fired from her only job in a series of infomercials, Amanda, an actress with little talent and whose film career is forgotten, decides to resume her career in the midst of an economic crisis that leads her to a questionnaire about her vocation, but also, that the shore to rethink its responsibility as the mother of Nicolás, a 7-year-old boy to whom she had not paid much attention until then.